As we announced in recent weeks, we met CADEO for an exclusive interview.
We have reached the duo in its exclusive collection of Cologno Monzese, location symbol of what has already been dubbed the stage hypno-Fininvest, and in a festive atmosphere of great excitement, we talked about the hard COLOURED MEGABAZAR and we turned to Fanny and Cesare "your" questions (to get to our magazine via the initiative participatory launched last week).
In short, we tried to find out more about what promises to be the musical phenomenon of the end of 2009, and perhaps the entire 2010: it was not easy for the truth. The group maintains a rather elusive approach towards the media and prefers to concentrate on producing great music rather than on trade promotion: but after the first Fanny and Cesare approach prove [...]
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BELOW THE PRODUCTION OF BJMAGAZINNE DECIDED TO PUBLISH IN THE FREE VERSION OF ANSWERS TO YOUR QUESTIONS Fanny Cadeo of:
My question to the falls and the following: you are planning live performances to promote the album?
FANNY: Yes. It will be a multimedia show based audio-video interaction. We feel we can say that our music can not 'be separated from the images and even to us who we play. We're planning some dates in England but is still too early to formally notify the dates.
how many years do music? you have side projects?
FANNY: Yes, several parallel projects. We do this work for many years, but on our past we prefer to maintain strict secrecy.
Hello dear Cadeo
wanted to know if you are going to build the right camp for your enemies
thanks for any reply!
FANNY: ahaha funny question. You will not need, I think more 'than anything else if they built themselves, the lager. Which are primarily due to a mental and private newspapers of good television.
how to live with the idiocy of human and especially southerners? already .. how can you bear the Calabrian or stampa che si piega a "certe" logiche?
FANNY: La stampa, soprattutto musicale, in questo paese conta come il due di picche. E' gente prezzolata che appena dice cio' che realmente pensa chiude i battenti dopo una telefonata del padrone.
io volevo sapere che tipo di strumentazione usate, sembrano strumenti vintage per il loro suono eccezionale!
FANNY: il nostro set è composto da una 606 e da un sintetizzatore analogico ELKA SYNTHEX del 1984, piu' un paio di chorus autocostruiti. Niente di piu' niente di meno, la semplicità innanzitutto.
come vi ponete nei confronti della scena Italiana? avete qualche gruppo di riferimento italiano e/o straniero?
FANNY: the Italian scene, unfortunately, we see nothing like us. The only quote that we feel is Luigi Tonet, but it goes back to the seventies-eighties and is for us the Maestro.Fuori Italy I personally am referring to Astromill and another master of the genre, Ron Hays.
Cadeo wanted to ask what they see as the reason for such mediocre music in Italy and as a result of a mediocre music press.
FANNY: I think the reason is the over-academic style, the nerdismo and the fact that the music press hype and the search for sostanza.Principalmente pero 'music journalists of today Skippa pieces instead of listening to them. And 'the immorality of recorded music low quality (mp3).
I would like to ask what they think of this hypngogic pop and especially where it exits out.
thanks.
FANNY: Well the hypnop is a subgenre of electronic music that comes when one experiences with the Fairlight in its two greatest expressions, namely music and video.Supporto key to this revolution is the laser also disc.Mettiamoci The Paik-Abe videosynthesizer.Possiamo see it as a projection of jean micheal jarre in an ocean of reverb mixed solar flanger? We also say yes.
to Cadeo I would ask those who are primarily ke I have not understood and many old are they?
FANNY: two of us and we are in listening range between twenty and thirty years. The best age to change the world.
not think there is a risk of autoghettizzazione behind certain "nostalgia operations"? An inspiration for so tied to an imaginary set is not likely to soon become sterile? A
salutone complimneti and for the hard
FANNY: dear friend thanks for the complimenti.Non think that it can become sterile earth, let alone an imaginary balance that remains in our hearts as the seed planted in terreno.Ci are many suggestions from which to draw when it comes to the epic of private television stations.
Voi sfruttate l'immagine e il nome di un personaggio pubblico, volto noto della tivu che ha anche avuto incarichi politici: non temete ritorsioni legali?
FANNY: Usiamo un nome scelto dal pubblico e non da noi, quindi semmai dovrebbero processare il popolo
qual'è il vostro rapporto con il pubblico? perchè le vostre canzoni non hanno i testi?
FANNY: il nostro rapporto col pubblico è trasparente e partecipativo.Possiamo dire che le canzoni le fanno loro. In quanto ai testi forse non hai ascoltato la traccia 3 , c'è un testo minimale ma intellegibile
a 40 anni non è troppo tardi per fare i coglioni 24h al dì? un lavoro no eh?
FANNY: The question is a bit 'stupid: our job is to make music, it would be like saying to a bricklayer who does his work or a housewife who does his duty. As to the hilt in this country need to do is resent paying jobs for spezzrsi the back or simply to make life choices. Unlike many who sit comfortably in front of a screen in the office, steal the money of taxpayers. I guess you mean the last category, but calmly ask that you return for a more 'serious.
about it .. how much work it takes to manufacture such a musical gem?
guess a lot of time there are self-financed or sponsored some established company?
FANNY: to design a masterpiece that takes months and months of study. To realize the other hand we are very fast, there just a week of construction and is generally what people expect from noi.Lavoriamo instinctively, as Erasmus of Rotterdam. It was not easy and it is not easy, believe me, make a music like this because in Italy there is no know-how for production hypnagogica.Nessun company is sponsoring us with a few donations from individuals who believe in our work.
evaluated as the casinos that are happening in Italy? attacks on the will of the people, magistrates cacacazzi, trans burned alive. Who's next?
FANNY: It 's a very delicate moment. all this violence is not a signal that we move away from the path of the musical entertainment and television veering towards a desire for black macabre images. We humbly seek to show a way out of terrorism, which regularly comes into our homes.
progettoo who is behind this? is rumored to be a sort of open group and Cisiano big names in the middle of the pop scene in Milan? in short, the residents are Italian?
FANNY: indeed there is some name of the scene in Milan, in particular the Italian, but I can not say more 'for contractual reasons. The comparison is definitely out with Residents place. If anything, we have something in common with the early Yello appreciate that but they are not reference names.
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